My charms really show their organic handmade-ness... which doesn't bother me in the least. I'll admit that I hurried through the process of rolling, stamping and cutting out the clay bits, due to fear of not getting them finished, dried and into the kiln by our lunch break. I can see now that I'd have rather put more thought into choosing the rubber stamps and shapes that I used, but I still love the outcome.Some of the other students had previous PMC experience and weren't quite so intimidated by the necessary careful handling... fear of having it stick to everything, drying out too soon, etc. I saw some really wonderful textures and patterns in some of their charms!
You can see that many of our charms look to be sort of tarnished... and that is by design. They came out of the kiln looking a rather funky matte white, then were wire-brushed to a bright, gleaming silver which I didn't get photos of. These have all been dunked in a bath of liver of sulpher to give them a dark oxidized patina, then tumble polished.
These next shots are Janne's work... a woman who came to Art & Soul all the way from Norway, and turned out to be friends of another good friend of mine. Such a small world! Janne managed to get her bracelet assembled and it looks really wonderful.
