Showing posts with label collage. Show all posts
Showing posts with label collage. Show all posts

Monday, April 28, 2014

Can't Find My Way Home

This mixed-media collage was created as a gift for my son's birthday. It was done on a box framework... the front and all four sides are collaged.  The two focal elements are the vintage photograph of the "scout" which I bought at an antique store, then copied and cut out…. and the vintage key. Other elements include vintage newspaper, typed and handwritten text, postage stamps, direct image transfers and paper ephemera. The entire piece was coated with a thin layer of beeswax.  7" x 7" x 1.75"




     I started working on this piece about three years ago, starting out with just the photographic image and the key. From there, I knew I wanted to use vintage papers as a background, then found the hand-drawn map image in a National Geographic magazine and felt it just belonged to this story somehow. Then I got stuck, set it aside and really couldn't get moving on it until recently.
This time, as I worked, the story began to tell itself and it took on an ecology narrative… about how we modern humans have "mucked" things up in our thirst for money and power. Sub-texts include the theme of being lost in the wilderness, of our polarized society and the things we are not paying attention to as the healthy balance in our precious world slips through our fingers.
The more I look at the finished piece, the more it tells me.
The "Peaceful Valley" brings to mind that mythical place… that perfect Eden, our home… that is lost and gone forever. Meanwhile, we keep striving and dueling it out to achieve and acquire ever more, but at what cost?

As I was finishing the collage, the last task was to punch holes and wire on the key. I had the radio on, listening to old rock and roll, and wondering what the title of this piece was going to be. I was literally holding that old key in my hand as Blind Faith's song, Can't Find My Way Home came on…  "Come down off your throne and leave your body alone. Somebody must change. You are the reason I've been waiting so long. Somebody holds the key",  and BOOM…  I had my title. That song has been a favorite of mine for many, many years and it could not have been more profoundly right for this work.


"Well, I'm near the end and I just ain't got the time. And I'm wasted and I… can't find my way home."

Wednesday, April 2, 2014

Collage Cards

Ordinary greeting cards from the supermarket are one of my pet peeves. I wander down that aisle now and then, hoping that somehow things will have changed… but, no. Same old beer and fart jokes… and groaners about the perils of getting old. I might look at a few, but soon I heave a heavy sigh and go home to rummage through my drawers of vintage papers and other ephemera and put something together myself.

The last half of March is birthday-heavy in my family. Here are a few I did recently for a triple-whammy party, the highlight of which was celebrating my dad's 85th!
"The Lovely Island"

"Dinopocalypse"
"Frog Feet"
… for my Dad, who was a swim teacher/coach for years.
Mini collage inside Dad's card.

Friday, January 24, 2014

Bundle of Dreams

I love that Lynn sent me a photo she snapped after opening her birthday gift. I had as much fun wrapping it all as she had opening it.


Thursday, September 29, 2011

Art & Soul 2011- Part One

It's finally here... Art & Soul week, Portland 2011! How I wish I was one of the lucky attendees for whom this is a true retreat... staying the whole week in the hotel, far from home and so-called "real life". But, since this event happens practically at my back door step, I always just dip in to a class or two and try to juggle everything else in my life around it. Saves a ton of cash, but I miss out on fully immersing myself in art, camaraderie and inspiration for the full week.

My first class was Lisa Kaus's "Color My World". I've been wanting to take a class from her since Art & Soul 2009 when a friend of mine reported how much fun it was, and how much she learned. We covered a lot of ground, first playing around with Golden fluid acrylics, crayon and graphite pencils on a primed piece of loose canvas. That was meant to warm us up, get us comfortable with sloshing paint around and not worrying too much about making things perfect. Here's a shot of Lisa doing a demo and making it look simple...
Lisa's style is funky-folky... very loose and comfortable, with layers and layers of color. Now I know how she gets creates those pieces that seem to glow from within! She is not afraid of color, and just encouraged us to keep adding more and more... blending water-soluble crayon over layers of fluid acrylic paint, then highlighting with graphite sticks.

Being massively sleep-deprived on this particular morning, and not feeling particularly tuned in to my creative self, I chose to copy one of Lisa's original designs to use for my own class project piece. She offered a number of examples we could trace with graphite paper onto our prepared boards. I chose this sweet and simple little bird design. Very glad I did that, as it saved me wasting time dithering over the design. The whole point was to play with the color techniques... layering and blending, then finishing the piece with a coat of hot beeswax. I wasn't going to risk going home with an unfinished project!
Lisa's birds tend to be in shades of blue, so I went the opposite direction... being in a very red-yellow-orange mood on this particular day. When I got home, my husband took one look at the bird in the detail above and said, "Angry Birds?".
I added some vintage paper scraps and an old stamp as collage details. After getting to a "finished enough" point in class, I was able to do the final step of coating it with hot beeswax, which is something I'd like to play around with further. Note to self:  Check Goodwill for a small crock pot to dedicate to beeswax!

I have to admit, there are some drawbacks to the wax coating... one being the smell! The wax Lisa uses is a refined white beeswax, not the lovely warm yellow and yummy-smelling beeswax I have here at home. I'm sincerely hoping the odor will dissipate soon so I can actually stand to be in the same room with my finished panel. It's really rather unpleasant... which I was not expecting!
It is also tricky to photograph these waxed surfaces, as I discovered today. The colors looked very muted or faded in many of my shots due to the wax itself picking up reflected light. Finally figured out a way to get a good image (the last photo posted above) of the full piece that does justice to the true color saturation. I think of this piece as a practice exercise... certainly not a fine piece of art.

Painting on flat surfaces is not something I'm naturally drawn to, but this class helped me get past a little trepidation in that regard. All in all, a positive experience. I met some great people and am now lusting after a large set of Lyra Aquacolor crayons and more bottles of Golden fluid acrylics!

Wednesday, May 25, 2011

Raw Materials

Raw means many things in my life at the moment. Sometimes it describes the frayed edges of emotions. Sometimes it's the perfect word for my pile of unfinished art projects and all the accumulated "ephemera" thereof.

Lately, it most often applies to what I'm eating. Yes... it's back to raw food for me. It's the only way I know to get healthy and shed my winter layer. Am currently re-reading Susan Schenck's book, The Live Food Factor and have been eating what's called "high raw" (about 80-90% raw) for about a month now. On this wet, gray Pacific NW morning, after saying to myself, "I need some sunshine, damn it!"... this was my breakfast:


A huge, gorgeous, organic mango and two gigantic organic strawberries, one of which was nearly the size of my fist! Oh, yeah... I'm eating my sunshine today. I'm determined to get it somehow.

Went on an arty field trip to Portland's Alberta Street with my good friend, Carolyn, yesterday. Here are the supplies I could not resist while shopping at collage



We jaunted up the street to Guardino Gallery to see some of Stephanie Brockway's pieces. I absolutely LOVE her amazing work! While there, I had another cannot resist moment and picked up one of Dayna Collins' fabulous "Fearless Faces" cards... which I shot a photo of, but Blogger absolutely won't let me upload it right side up. Oh, well, be sure to visit Dayna's blog, just so you'll understand the raw and fearless energy I wanted to have around me by looking at her work!

Spent some time with Mar Goman a couple of weeks ago. She gave me a mini-lesson in transfers, then gifted me with a Chartpak blender pen, paper tags and some creepy-cool images to practice with. We have another collage day on the calendar for June!

My own artwork has taken a backseat to the ever-popular "Life Itself", although I did paint up a sweet little canvas recently for my granddaughter's 9th birthday. I finished this pink-and-girly piece and wrapped it up for her, but I realized I need to spend WAY more time with Stella when she greeted us at the door on party day with her Nerf battle axe in hand.






Instead of a birthday cake, she had "cake pops", brilliantly executed by Ali and Jaquie, that were little miniature Yoda heads (you know... from Star Wars), and Star Wars Lego sets were her absolute favorite gifts of the day.





She's definitely still the Star of the Universe... it's just that Grandma is still back in Sweet Pink Universe and will need to figure out how to get up to warp speed to keep up with her!:)



Monday, February 14, 2011

Valentine Treasures: Upcycled Hearts
















 
For my own sweethearts, my two darling granddaughters... I invented these little upcycled love bundles. Each got an altered Altoid tin with treasures inside. These are painted and collaged with bits of vintage paper, then distressed and aged. The text on the big hearts is clipped from vintage sheet music lyrics.

















































































Inside each tin... waxed paper stitched around heart-shaped pieces of a vintage sheet music love song... their names stamped on & rusty vintage keys tied on with pink satin ribbon.
















Then, some wearable art... funky-chunky Valentine charm necklaces.

Little bits of this and that, salvaged from my boxes of buttons, beads and ephemera... wire-wrapped as charms, hanging on a glittery vintage plastic curtain ring.
























Last, but not least... the sweetest Valentine treasures of them all... 
















The very thought of them makes my heart smile!

Wednesday, February 9, 2011

Cloth, Paper, Scissors... putting a bird on it!

My friends at Cloth, Paper, Scissors magazine put an appeal out via their Facebook page on Monday for pieces of art that include bird images... their way of tying in to the silly "Put a Bird On It" bit from Portlandia's second episode. They compiled all the artwork they received, including my "Old Crow" collage into a YouTube slideshow that they posted the next day. It was really fun to participate and to see the results so quickly!

My piece was a collage I made for my son Sean's birthday last year. The "Old Crow" was from an ad for Old Crow whiskey I found in a 1940 issue of Life magazine.

This piece was a lot of  fun to do... and seeing it featured in the video makes me want to dig into another collage soon!

Friday, December 10, 2010

Ancient Lady


This is an original mixed-media collage I did with specific intent... to get another jointed paper doll image to use for my bamboo pendants. This piece again utilizes writing... typed and handwritten text... from my grandmother's stories and notes, as well as some circa 1902 newspaper that was in a scrapbook my grandmother had saved for years. The face is an image I tore from an art book... a third century Coptic encaustic work that is in the Louvre, titled "Portrait of a Young Girl". I call my piece "Ancient Lady", because those are the words that ended up on her right calf. She has obvious religious undertones... including the text across her torso, and the name "Maria" collaged to the background on the upper left.
The basic paper doll is heavy cardstock, covered with vintage papers of all kinds and sealed with matte medium. The skirt is dress pattern tissue, coated front and back with gel medium and fan-folded. The doll's torso is mounted to the acrylic-painted background on a strip of foam core... which raises it off the surface just a bit, allowing the brad-jointed arms and legs to be moved and posed. I also used two great vintage buttons in this piece... and silk flower petals behind her head, giving almost an "Our Lady of Guadelupe" effect of radiance.

The pendants... not as clear an image as I had hoped. The scan was poor, so I intend to try again with photographs, have them re-printed and try another batch.


Ancient Lady's lovely leg...